Thoughts on the Orlando Massacre

Sunday morning I woke up a little before everyone else. While I waited for the kettle to boil, I checked Facebook (like I'm trying not to do) and one of the very first items in my news feed was an article about the Orlando massacre. I read it quickly. I fought back tears. I flipped the cover closed on my tablet and I busied myself with the day. We unpacked boxes of books and toys, I placed pictures and candles and nic-nacs about the house. In the afternoon we planted out some flowers and tomatoes and peppers we'd bought at the market. I kept my mind away from the hurt.

But by late afternoon, I couldn't stay away any longer. I read that the death toll was now more like 50. I read the first snippets of information about the shooter. I felt numb, until I started texting with a close friend who is a lesbian. She told me how hard of a time she was having. She said "they're shooting us." And at that, I remembered that I am in that "us". I identify as queer, though I'm read as straight. I hate how that part of myself is so easily erased, every day. How I forget it, too. It's something I struggle with. You don't have to be queer to feel the pain of this tragedy, of course, but her words brought me back to myself and I finally started to feel it.

I feel it as a queer woman. I feel it as a mother. I feel it as a human being. Like so many, I wonder how many more people have to die for something to change. I am appalled that this man was able to legally acquire the guns he used, even though he was on a government watch list. What is the purpose of these lists, then? Why do so many people insist they have a right to possess these weapons of mass destruction? I'm sure there are those saying that if only someone else in the club had been carrying a gun, the death toll would be much lower. I'm sure that's complete and utter bullshit. It's a part of the lies that gun-enthusiasts tell themselves to make it okay for people to keep dying. It's shifting the blame, it's burying your head so fucking far in the sand that you can't hear the rest of us crying for it to stop.

If this man hadn't been able to purchase a gun, he'd just be a lonely homophobe, quietly hating gays and all of those people who were just celebrating love and community and BEING, would not now be dead.

Though perhaps even bigger than the gun issue is the issue of the hate. If that man hadn't been so triggered by the sight of two men kissing, this wouldn't have happened. If we are all surrounded by love and acceptance, if we are taught these things right from the beginning, if we're taught to live and let live, then there'd be no need for the guns. There would be no fear of this happening. I hope to raise my kids to know this, deep in their core. To know only love, to feel only love for others. I hope they never have to face the agony of "coming out," because they'll know that they can love whomever they choose. And that they never have to face such hatred for that.

I know I'm not adding anything new to the conversation. But I hope that the more people who make their voices heard, the closer we'll come to some kind of reform. There has to be a tipping point. How is this not it? How was the last one not it? And the one before that?

For a several days now I've had the beginnings of a poem in the Notes section of my phone. It's a bit dark, and I knew that generally, it was about parenting and children and sending them out into the world, I didn't know where it was going, really, or what was coming next, which is a bit unusual for me. But I trusted it would come. And last night, this morning, it did. I'm saddened it was this event that gave me the words to finish the poem. I'm grateful I have poetry to help me work it out.


Me, just before the Dawson City Pride Parade, 2007.

Coming Out of Survival Mode

On Sunday, P came home from what was supposed to be a month away from us. I must have been out of my mind when I said "Yeah, I can handle a month with the kids. This is a good plan!" In reality, I lasted approximately 8 days before texting him this message: "I don't know how I'll last another 3 weeks." Shortly after that S.O.S. he changed his flights and a month became 2 weeks.

But in those two weeks, and in the stressful, making-huge-life-decisions weeks preceding, I'd all but lost my hard-won new habits. The daily writing practice, the nightly meditation, the reduced social media time, the "I'm gonna learn to run!" resolve (in fairness to myself, I hurt my ankle)...all of that stopped. I was in crisis-survival mode. After we decided we needed to return to Dawson, to pack up and move once again across the country, away from the support system we'd built in the last 18 months, my brain had had enough. Comfort food, comfort interneting, all of the familiar escapes became large again.

And that's okay. As my dear friend reminded me one day: "It's not like you're shooting heroin. Go on Facebook!" Sometimes we just need to get through it, right?

But here I am, my partner downstairs with the kids (minus one who is playing with a basket of rocks on the bed behind me). I'm not working on any poems because that's a little much, but I'm blogging. And in the hour before dinner prep begins tonight, I'll go out for a walk, test out my ankle and hopefully get back to my learn to run program. And maybe just before the bedtime rush, I'll slip away to sit in quiet meditation for 10 minutes.

And I'll try to check myself each time I feel the urge to pop in to social media. I'll try to bring myself back into the present moment, the only thing that's real, the only thing that matters.

Outside my window it's beautiful: a few clouds high in the sky, the leaves swelling on the maple trees, sunlight and shadow patterning the lawns and spring gardens. This fills me up. It buoys me in the present.

Even though I've let the good things slide in the past month, those foundations are still there. The roots are still healthy. I just need to water them and revive the wilting leaves.

Big Things, Little Things, All the Things

I've been quiet in this space for weeks, now. I've got a few draft posts saved, but each one I've sort of given up on with my hands thrown in the air. Truthfully, I've felt unclear on the purpose of this blog, on where I want it to go, what I want it to do. I started it because I just needed to write. But over the last year, that need has turned into a (fairly) regular poetry practice.  In fact, I think I could safely say I'm working on a chapbook length collection of poems focusing on my experience of motherhood. When I have time to write, I want to be working on that, because, let's face it...I don't actually have all that much time to write.  So all of that being said, I've decided to use this space as a place for me to announce upcoming publications and to give my readers regular life and writing updates. Ideally I'd like to get back to publishing once a week, but realistically I'm shooting for twice a month.

I've got two more poems forthcoming online in June and August, and I'm still sending my best work out as it's polished. Recently I've decided to try submitting to some of my "dream" markets: they're print (as opposed to online) publications, they have a wide readership, and they pay. They also have very small acceptance rates, but I've got nothing to lose. And in a further effort to get paid to write poems, I've submitted a poem to Room's annual poetry competition. I'm working on a batch of three poems right now, and I think two of them are good enough to send out. It's tricky, learning to critique my own work. Over the winter I met with the University of Western Ontario Writer-in-Residence several times during her office hours at the public library. It helped me to hone my inner editor: by the last time we met, she didn't have much to suggest--in a good way. Writing continues to be the keystone to my mental health. It is so hard to drag myself to the page some days, but I keep doing it.

If you've read this far, you might be wondering about the "big things" promised in the title of this post. It's truly very big. Are you sitting down? Good. Make sure you don't have a mouthful of coffee (or wine.) Ready? Okay. We're moving back to Dawson. I know, right? It's pretty huge. I am at once excited and heartbroken about this. But the reality is that we have a business there. And it needs our attention, more than we can give it from here. Thankfully we've still got our log home (with our outhouse and our limited running water) so we'll live there for the summer with a plan to move into town by the fall/winter. My parents have very generously offered to do some needed repairs on our home here in London, and then we'll likely list it at the end of the summer. P is in Dawson now, and he'll come back in the first week of June so we can all travel up together.

It all seems a bit surreal, at the moment. Two cross country moves in less than two years. It's exhausting to think about. But we're taking it one day at a time, and it really is the only thing that makes sense right now. I look forward to seeing my dearest friends again. I look forward to the fresh air, the mountains, and the river. Northern themes abound in my writing so I'm curious to see what sort of inspiration pops up once I'm living there again. I try not to think about how much we'll miss our family here. It's going to be really hard.

So there you go: all the things. What kinds of things are happening in your world these days? Have you ever moved across the country? Twice? Did you survive? Tell me all about it in the comments!

Two Poems in Rat's Ass Review

I've got two poems up in Rat's Ass Reviews on going "Love and Ensuing Madness" series, "Parents' Aphrodisiac" and "The Girl from St. Eustache."

The first of these, "Parents' Aphrodisiac" went through many drafts. There are 7 different drafts saved on my computer, and there were countless smaller changes made along the way. I really believed in this poem; loved the tension between being a mother and being a partner and lover. I think it's important to view mothers/parents as the multifaceted, many-hats-wearing people they are. This poem was rejected a half a dozen times before finding its home at Rat's Ass Review. I got lucky: I think that's actually not that high of a number, but I was close to giving up. After some encouragement from other writers, I submitted it one more time, and it was accepted almost immediately.  I hope you enjoy it.

Rat's Ass Review: Love and Ensuing Madness

Two Poems in Mused Literary Review

I am so thrilled to have two of my poems appearing in the Spring Equinox issue of Mused Literary Review! It's available in three formats: an HTML version, a downloadable PDF file and a full colour, glossy print magazine.

Though I've been out of the darkness for months now, much of my poetry seems to be processing some of the saddest, darkest times in my postpartum experience. These two poems take me right back there, both emotionally and geographically. I'm grateful to be in lighter place now; however, I think it's so important to share these experiences, so we know we're not alone.

Thanks for reading, friends.

Mused Literary Review

Gratitude

Last week, my creative slump came to an end. I was sitting in the rocking chair, watching the kids play, looking out at a peach coloured sunrise, and the beginnings of a poem crept into my mind. I jotted some things down and then waited impatiently for P to get up, have his first cup of coffee, and relieve me so I could run upstairs and write.

Ending a fallow period of writing is like, if you'll allow the adult comparison, having sex after a long dry spell. It is that basic, that animal, of a feeling. For me, at least. It's a few weeks of nothing and then suddenly: a rush, a flurry, the inspiration sweeping me along, words beating in my brain; the feeling that this is finally going to happen. The dash to the bedroom, to the desk, fumbling at the laptop, the pen lid, the button on a shirt. The pouring fourth across the page, across the screen. The high and then, the slow come-down.

Ah.  Relief. I expect the clouds to open in heavy rain, the birds singing from sheltered perches in the trees.

I am grateful. Let my heart fill with gratitude for this return of words. Of course I knew they'd come. I glow with my thanks. I carry it over into my day. Thank you, Muse, thank you, Inspiration, for visiting me again. I'm always here, listening, ready. Writing like this is like communion, it is natural and also sacred; sex and life and love. It doesn't always happen like that, the burst of inspiration, but when it does, it's magic.

Now is the real work of going back over that inspired piece, which is always a bit messy. There are parts of it that are downright cliched, but in editing I work them over to bring out the truth, the essence of what I was trying to say. Sometimes in those hurried inspired times, I resort to cliche as a sort of shorthand. It can be frustrating to try and root out the right words, but I'm learning to enjoy the revision as much as the initial burst of writing.

I'm looking down the nose of a week of solo parenting, and so my writing slips from a regular practice to something I have to try and fit in where I can. I feel like there are so many things I'm trying to "fit in where I can", and they all feel important to me. I've been trying to begin a regular yoga practice, even just 20 minutes a day, and I'm trying to meditate for 10 minutes after the kids go to bed. Plus keep up with the several books I usually have on the go, favourite blogs, this blog, and oh yeah, those three kids...it all feels like so much, but I guess another way to look at it is with gratitude. I'm grateful that I even have the freedom and luxury to be considering all of these things (writing! yoga! meditation!) in my life. Self-care has become such a huge priority these days, and having a partner who works from home and can help facilitate all of this is a real gift.



This post is a part of the What I'm Writing link-up.

4 Ways to Get Through a Creative Slump

It's a strange thing, to finish a poem. I think other writers, or creatives in general, would agree that the feeling of satisfaction and accomplishment that accompanies a finished piece can be coloured by fear. Will this be it? The Last Good Thing I Create? Will the muse never visit me again, am I done now? Dried up?

I often feel a bit of anxiety, especially if I don't have something else brewing. Specifically, I've finished that tricky poem I mentioned last week.  It ended up being longer than I'm used to writing, but still about 75 words short of the minimum for the CBC Poetry Competition. Maybe I'll try a different competition.

But even though I've got a few ideas swirling, themes I see emerging that I'd like to explore more, nothing is coalescing for me right now, and that's frustrating. So I've been thinking about, and practicing, a few different ways to get through this slump. I wanted to share them with you here today.

1. Read

I've often seen the advice that reading should be a writer's primary task. Reading other works in our niche helps us to see what's already out there. Through reading we see what others have done before us, what they've done better than us. Completely immersing ourselves in poetry, or short stories, or novels or personal essays, whatever the genre, makes it possible for us to be deeply rooted in our craft, so that we can grow as writers.

Reading can also inspire us in many ways. When we read something that is so beautifully crafted it makes us ache, we can take that ache and turn it into our own attempts at beauty. Though if I'm being honest, my first reaction to reading something deeply beautiful is to despair that I'll never write like that. But it's important not to get caught up in that despair. Instead, we have to try to turn that into our own attempts at crafting with our own unique voice.

Reading can also inspire us in the sense that something we read can become a jumping off point. Maybe a line in a poem gets stuck in your head, and you find yourself starting a new poem from there. Maybe you've read a non-fiction piece that you'd like to explore further from your own perspective.

Reading exposes us to new words, new ideas, new ways of using language. It is absolutely the most important thing we can do as writers.

2. Take yourself on an "artist's date".

In her book "The Artist's Way", Julia Cameron prescribes weekly artist's dates as a way to unblock your creativity. This is meant to be something fun that you do on your own, something outside of your usual experience. Something that appeals to your inner child, your muse.

If you've got kids in tow, like I usually do, every day can be an artist's date. It's easy to be in touch with your inner child when you're surrounded by children.

So take all the kids, your inner kid included, to a museum, an art gallery, the aquarium. Go for a hike. Buy a disposable camera and take some pictures (and get them developed!). Build sandcastles at the beach, swing at the park. The idea is to experience new things, things that inspire your creativity in different ways. And in the process, we might be inspired by a painting, a conversation overheard, the feel of the sun on our skin.

Last week we took our kids to the aquarium in Toronto. It's led me to reading up on horseshoe crabs, and I feel like it might eventually lead to a poem. If nothing else, I've learned something new.

Getting out of our heads, as artists, and as parents, is really important. Because the act of creating is often a solitary one, just like the act of parenting. We get into our routines so easily (and having a routine is great!) but sometimes we can get stuck there. I feel like that's especially dangerous when we're between projects. When I'm not working on something, I end up sitting at my desk, staring out at the same trees, the same street, the same dog that walks past at the same time every day, and feeling like I'm in this loop. A really uninteresting, uninspiring loop. So an artist's date can help to lift me out of that. To see things from a different perspective, or even to try something completely new, can be magic. It takes a bit of mental gymnastics to turn your everyday with kids into an artist's date, but it can be done.

3. Journal or Freewrite.

I try to start all of my writing time this way. Personally I aim to fill 2-3 pages with freewriting: I just write what's in my head, no matter how dull or uninspired it might be. Sometimes what I write is related to what I'm working on creatively; sometimes it's just a bunch of complaining about what I have to do later that day. But just getting that pen moving across the page can be a surprising thing, because occasionally something really interesting comes out. Often my freewrites have led me to a poem, as I flesh out an idea or a thought or experience, and really explore where my mind wants to go with it.

Some people like to do this using a prompt. If you Google "writing prompts", there are endless resources available out there. You can sign up to get writing prompts delivered daily right to your inbox. What comes out of your use of prompts might just be practice for you, a way to flex your creative muscle a little, a way to get you thinking about something in a new way, or it might turn into something really wonderful that you take further. Either way, at least you're writing something, doing the work of creating and using that part of your brain.

4. Connect with other writers.

This is something I don't do enough of, and maybe that's why I'm adding it here. Talking to other writers and artists is a good way to realize that you are not alone. We all get stuck, we all have downtime. I'd be willing to bet that even the best have these moments of despair.

So reach out on Twitter, or on blogs, or better yet, in person, if you're lucky enough to have a circle of writers near you. Commiserate a little bit. Remind one another that this will pass. That last poem will absolutely NOT be The Last Good Thing You Create. There will be other poems, essays, stories. You are not a one trick pony! We have to remind ourselves, too, that writing and creating is our life's work. It is easier to write than to not write, There will be a next thing. We just have to do the work of showing up at the page, being patient, and listening.

What's your favourite way to get through a down time? I'd love to hear your tricks in the comments!



This post is a part of the What I'm Writing link-up. Please click through the link to visit the other participants!

When Your Inner Critic Won't Shut Up

I've been working on a poem lately that has proven difficult. It's a bit more complex than what I usually write; and to add to that, I'd pre-emptively decided that I was going to enter this poem in CBC's Poetry Competition. Entries must be between 400 and 600 words...and I don't usually write poems anywhere near that long. It's possible to submit a collection of poems, but I just had it so firmly in my mind that this was going to be one poem. With a minimum of 400 words.

So where I usually revise a poem by cutting out all that is unnecessary, I found myself keeping an eye on the word count, adding in things that I knew weren't really adding to the poem. Trying to make it work. Getting really frustrated in the process.

And then I did something even worse: I went on to the Canada Writes website and started reading through last year's winning and shortlisted poems. And reading the author bios. And getting really, really discouraged.

Julia Cameron calls it "the critic" in The Artist's Way. Kim Addonizio simply refers to it as our demons. Basically, it is this sad, scared little voice that sometimes gets very loud, trying to convince us that our creative endeavors are silly, stupid, tired, pointless, worthless, etc. etc. My demons were loud yesterday. I'm not a published author! My poems are not like these poems! I do not have an MFA! Oh god, should I get an MFA? I can't afford an MFA! I'll never be published! Give it all up now!

Stop. Stop stop stop stop stop! Step away from the internet!

I did just that. While babies napped and 4 year olds watched a show about crocodiles, I unrolled my mat and did a few rounds of sun salutations, then a few more poses and finally a blissful savasana. Just lying there, feeling my body sink into the floor, watching my mind very briefly go quiet. Then I got up and hugged my kid, made some pizza dough, got outside, came back in, drank a beer, and went to bed.

And this morning, on waking, I knew. Don't listen to those demons, first of all. Because writing is my life breath; it is so important for me to do. I must do it even if I never get published, never win an award.

And I knew, too, that I must stop trying to write the 400 word poem that will be entered into the CBC Poetry competition. Instead, write the poem that needs to be written. Write it on your terms. Cut out all those extra words that are making it a poorer poem, anyway. It seems so simple but I, and I hope I'm not alone, often get into these rigid places where my mind is set on something and so it must be. It's useless, though, to try and fit ourselves into a rigid structure that just isn't working. The outcome will make us feel like shit, and it certainly won't win any prizes.

Once I'd freed myself of these expectations, I was able to come back to the poem and see it's truth and beauty. The demons were quiet again, sitting petulantly in the back seat, looking out the window as I let my muse drive the car.

That poem won't be entered in the CBC Poetry Competition. In fact I don't know that I'll enter anything in any competition right now! Instead I'll focus on writing the poems that need to be written. And if they happen to fit nicely into a box, then maybe. But I'm done trying to force them.

It occurs to me as I write this that these things hold true for parenting, as well. It's funny how often I see parallels between my writing life and my parenting life. Just as with this particular poem, I get these ideas about how my kids should be, or how I should be as their mother, or how our day should be structured or whatever. And then I just try so hard to slam that square peg into that round hole. And nobody is happy, and it never works. I need to parent the kids I have, the way they need to be parented in each moment; and I need to be the mother that I am. The harder I fight these things, the harder our lives are in general.

It should be noted, too, that comparison comes in to play. Don't compare yourself to other mothers; don't compare yourself to other writers. So obvious, but so difficult in practice!

So how about you, readers and writers and parents? How do you shut up your inner critic so you can just do what you have to do?



Image via Flick user TheGabeC. Licensed via Creative Commons.


*This post is a part of the What I'm Writing link-up.

One Foot in Front of the Other

I'm sitting on my bed, drinking tea. I came up here to write for one hour, as I've been trying to do for almost two weeks now, every day. Some days, it's easy. I can't wait to get here, pouring out the words to a new poem or working one in progress like a jigsaw puzzle. Some days, like today, I get here feeling uninspired and with a whining voice in the back of my mind. I don't feel like it, the voice says. Just skip today. And I guess these are the days that are most important to push through.

I used to believe that I could write only when the mood struck, when inspiration hit. I believed that if I just waited patiently in between those bursts, another idea would come eventually. Now, I understand that the real work of creating comes between those (rare, precious) bursts of true creative inspiration. The real work of creating is just showing up, day after day, sometimes kicking and screaming.

As I sit here musing over this aspect of the creative life, it occurs to me that parenting is much the same. Most mornings, I wake up feeling unrested. I open my eyes and I think "already I have to get up with these kids? Didn't we just go to sleep?" I expect to get out of bed with the ache in my lower back and pelvis and thighs and feet having been soothed by sleep, only to find the ache is still there. It's a constant in my life. I change diapers, I get the kids breakfast, I refresh my Facebook feed, bleary eyed.  I nurse the baby. The sun comes up, the boys start to get wild and I know I need to engage, I need to get us all outside. But the ache. The tired. I just want to sit, and rock in the rocking chair, and close my eyes. But doing that is always so much harder than pushing myself to get up and get us all dressed and out the door for an hour. And eating junk convenience food for dinner always feels so much worse in the end than actually prepping and cooking a real meal.

Every day of this parenting gig I feel like I do the impossible. I wonder how the hell I can possibly get through another day, but then I just do. I'm sure most parents, moms of more than one child in particular, are familiar with the question: "How do you do it all?" I don't even know how to answer this. I shrug. Because I have to. I have to do this, I have to show up every. single. day. And feed and dress and engage with these little people because I don't have a choice. I have to do this work because I can't NOT do it. And some days are fabulous. Some days are beautiful and smooth, they just flow from moment to moment like my pen flows across a clean blank page in those rare moments of true inspiration. I push through so I can be open for those inspired moments.

So, in writing poems as well as in parenting, I just continue to show up. When I don't feel like it, when I'm tired, when I want to do anything but. I put one tired foot in front of the other, and keep plodding along.

Writing, Life

The past week was an exciting one for me in terms of writing. I met with UWO's writer-in-residence, Tanis Rideout, to go over some of my recent poems. She was so warm and encouraging and gave me some really helpful pointers for tightening up my work; suggestions that seemed general at the outset ("get rid of everything you don't need!") but that just clicked for me. I've been reworking everything I've written recently with these things in mind, being ruthless, looking at my poems line by line rather than just as a whole. Questioning each word, what does it do for the poem, what tone does it set, is there a better way to say this? I love the way a little nudge like that can just open up a whole new way of seeing. I'm going to submit these revised poems to another round of literary magazines, hoping to find them a home.

Over the weekend, London had its 2nd annual Words Fest, a festival celebrating all things wordy. I was able to take in a reading on Saturday morning at Museum London. It was invigorating for me to be among other writers, and especially to hear some localish authors read from newly published works. My favourite was Carolyn Smart, reading from her new collection of poems: Careen. Her reading was powerful and I picked up the book, a dramatic rendering of the story of Bonnie and Clyde.  I'm most of the way through it already and I'm really loving it.

Through all of this it's become clear to me that I want to connect with other writers, poets, creatives. I desperately need to share that part of myself with others who get it: who get the process, the struggle, the thrill of a new idea. Who can look at something I've written and offer constructive criticism. I think there is a thriving writers community here in London. Later this month I'm going to try to attend a meeting of the London Writer's Society in hopes of finding a critique group, and some day...when I can be away from babies and stay awake past 8 pm, I'd like to attend one of the poetry open mics hosted by Poetry London.

I see it as being a long road, but I feel my feet are firmly planted upon it and if you're still reading this blog, you'll get to come along for the ride. I suppose I see this space as focusing mostly on my journey as a writer. If you came here strictly for the baby stuff, and you don't wish to follow along further, then thank you for coming this far, at least.

I think I've found my writing time, though. In making the best of being up at 5 am with the littles every day, I've started slipping away for an hour around 7, once P is awake and we've both had some caffeine, back up to the bedroom where I write for an hour. I've always loved mornings best, and of all the times I've tried out in the last couple of months, this feels the easiest. I think it's something I can maintain. And having that writing time in the morning makes it easier for me to be present and engaged with the kids the rest of the day, something I've been working on, too.

I started this blog lamenting the loss of myself in motherhood, but over the last 6 months I see myself reclaiming my identity as writer, a poet, and that is inextricably tied to my recovery from PPD. A year ago, I was merely surviving, dreading having a third child, totally overwhelmed and depressed. Today I see myself as being on the brink of thriving, and I am so deeply grateful for that!



One year ago, heading out of the Yukon.

On Rejection

Recently I wrote that I'd submitted a few poems to several different online and print literary magazines. I've heard back from two of those journals already, both kind-hearted rejections. And I'm okay with that. In fact, I was expecting it. It's been years since I read or wrote poetry with any regularity. It's only been weeks, a few short months at most, since I decided to dedicate myself to the craft of poetry again. So it's silly to think that with the first few poems I write, I could be published.

And I understand in a way that I didn't years ago that it's okay to be rejected, that it is absolutely a part of the creative life. It's the risk we take in creating and in putting our art out there. In her book "Big Magic", Elizabeth Gilbert asks: "What are you passionate enough about that you can endure the most disagreeable aspects of the work?" She quotes a blogger named Mark Manson, in asking "what's your favorite flavor of shit sandwich?" Which is to say that rejection is the shit sandwich that goes hand in hand with putting your art out there for consideration. And if you love your art, you'll learn to tolerate the shit sandwich, too.

Through reading "Big Magic" and in considering more deeply my relationship to my writing, I've come to understand an idea that I've flirted with for years, an idea first brought to me through "The Artist's Way" by Julia Cameron. That is the idea that the practice of any kind of art is a spiritual one. To create is a spiritual endeavour. It's the idea that the work, whether it be a poem or a photograph or a sculpture, wants to be made, and it wants to be made through us. It is a gift from the Universe or God or whatever random creative forces coincided to put us all here, and the best thing we can do is be grateful and enter into communion with our creativity, acting as midwives to bring them into being. It's a beautiful idea, and one that softens the blow of rejection.

Because I want to create. It gives me joy to write poetry, to play with words and punctuation and line breaks, to bring a thought into being, to crystallize it on the page just so. Lately I approach poetry and writing as a form of play. It brings me peace instead of the anxiety I used to feel. I've let go of the idea that to be successful, to call myself "writer" I have to be published and widely read. Don't get me wrong, I'd love to be published and widely read, but it no longer feels like an end goal. I feel like I'm finally learning to feel joy in the process, in the magic of creating, whatever the end result may be. I will continue to hone my craft and I will continue to send my work out for consideration. I find satisfaction that someone, somewhere, read it and thought about it long enough to say "No, thanks. Not for us."

I see this shift in my mind touching other aspects of my life, too. Last week I tried a new recipe, a variation of shepherd's pie, for dinner. I put a fair amount of time and effort into the meal, first roasting, peeling and pureeing sweet potato for the topping, then chopping all the vegetables for the filling, sauteing them and making a sauce. The dish was bright, colourful, and I was excited to try it. But my boys declared it was "yucky" before they even had a bite (though Colm did eat some of the sweet potato topping) and my husband bravely ate most of his portion, though I noticed all of the kale pushed to the side of the plate in a soggy green pile. And my initial reaction was one of disappointment, and even a bit of embarrassment to think I was going to pass this very different dinner off on my currently picky bunch. I bit back tears as I cleared the plates in a huff.

But then I remembered these ideas about creativity I've been turning over. I remembered the grace with which I accepted the rejection of my poems. I realized that I took joy in preparing the meal. I myself thought it was quite good. So what if my critics disagreed? I probably won't make it again, but I'm glad I tried. In that moment my mind shifted from feeling personally offended to just observing the reactions with curiosity. I realized that I can take pleasure in preparing a meal, but I can't control peoples' taste. Just like with my art.

If we're to live a happy creative life, we have to learn to deal with the inevitable frustrations, too. I'd rather write poems that nobody else likes than not write poems at all. And the same goes for my cooking!

A Mother's Writing Life Version 2.0

The only thing constant about my writing life is that it is always changing. If I try to set myself up into some kind of routine, it inevitably falls apart within a week or two. When I think of the oft-given writing advice to schedule your craft for the same time every day, so that your muse might follow, I feel despair. Because that just ain't happening. I thought my time would be early mornings, up with the baby. But then she started sleeping a little later, and, thankfully, so did I. Then, I thought it would be during Colm's nap, but Charlotte doesn't reliably sleep for that and it leaves Aedan alone in front of the t.v. for an hour or more. Then, I thought it would be an hour several times a week in the corner coffee shop, but that's only happened twice, because life with three littles is crazy and unpredictable.

My muse must be fast and ready at all times, prepared to leap into action whenever I find 30 minutes or an hour alone. I have to trust that she is just the muse I need at this point in my life. It encourages me, just now, to imagine this spirit: she is wiry and tough, sharp-eyed and always listening. She sees the opportunity coming before I do, and she begins to hum in anticipation. And I hear that hum, hear it steady and low beneath the constant (and I do mean constant) chatter around me. Together we snatch up a pen and paper, or fire up the computer, and we create something. We put words together, or rearrange them on the page. We build my writing life new each day.

I've been drawn to poetry over these last couple of months, both because of its compressed nature and because it's my first love. I've been writing and rewriting several poems, polishing them til they gleam, til I can't look at them anymore. Yesterday, I sent them out to several online literary magazines for consideration. I'll try not to think about them and how they might be faring out there as I move on with new poems.

This morning over oatmeal and green tea, I emailed a local writer's society to inquire about their critique groups. And I joined the mailing list for the Ontario Writer's Conference, which I hope to attend in the spring.

So, even though this seems like the worst, most ridiculous time to be building a writer's life, I'm doing it. Because, like I said in this post back in July, this is the only life I can save. And as Elizabeth Gilbert points out in her inspiring new book, Big Magic, this life is temporary, so why not use it to create?

This post is part of the #WhatImWriting link up. Please visit Writing Bubble to see the other linkers!

Identity Crisis

I've been silent here these past few weeks. In that time I've been writing poetry; I've reconnected with my university creative writing professor, who has offered to serve as my mentor; I've continued down a path of healing from PPD, taking good care of myself and, in turn, my family. It's been good to be somewhat offline, but I haven't forgotten about this blog. In the back of my mind, I've been wondering what I want for this space.

I started out wanting a creative outlet, but since finding my way back to poetry and deciding to take myself seriously as a writer, I feel like what time and energy I can spare for creative writing is better directed elsewhere. And although I'd like to use this space to connect with other writers and to talk about the intersection of writing and mothering, my posts solely about mothering and how difficult it can be have also been well received. And I feel like it's really important to talk about the hard, ugly truths of parenting. That being said, I sometimes want this to be a baby-free zone, a place to guard those parts of myself that are more than "mama."

So. Where does that leave us? I love blogging, with its possibility for connection and peering into the lives of others. I'm not ready to take a permanent step away from it.  Maybe I see the answer here in this post. Maybe I don't hold myself to any one topic, and continue to write what's in my heart. I guess I just feel like I owe the writers a post about writing, the mamas a post about moming, and those who are just curious readers a post more interesting than this one!

What would you like to read more of here? If you blog, have you ever had a similar blog identity crisis? I'd love to hear how you moved past it in the comments!

This post is part of the #WhatImWriting linkup. Please go to Muddled Manuscript to visit the other participants!

Self-Care is Hard

I'm sitting in a corner coffee shop, near my house. I am alone. I drink a green tea as I type this post, trying not to listen to the conversations taking place around me. My back is to the door: I'm determined not to be distracted from my hour of writing time. Weeks of mental preparation have brought me here, a morning of talking myself out of it, talking myself back into it. How is it possible that 4 years ago I did this kind of thing without a second thought? Now, I sit here nervously, expecting at any minute for the Mom Police to come up behind me, clap a heavy hand on my shoulder and take my tea away, spilling it across my lap and burning me. They wouldn't take me to jail, no. Just back home to the babies.

If there are myriad blog posts and magazine articles and forum conversations dedicated to the importance of dad's self-care, I apologize. I've missed them. Self-care, the very intentional practise of putting oneself first every once in awhile, is the realm of women and mothers. We are socialized, particularly as mothers, to put everyone BUT ourselves first, all of the time. Then we read that the key to staying sane is to care for ourselves. To put the oxygen mask on ourselves first. Enjoy a cup of tea, they write. Take a long bath. Go for a run. Practice yoga. And these things all sound wonderful and simple, but the truth is, they're not. Taking care of yourself after not doing that for several years is SO HARD. I expect it will take several weeks of regularly coming to this coffee shop, sitting at this same table with this same mug of green tea, before I feel good about this. Before it feels easy and my cup truly feels full.

Why? Why is this so difficult?

Maybe it's wrapped up in my own failing self-worth. If I don't feel like I deserve even this, a couple of hours spread out across the week, then of course this time would feel stolen from the laps of my children, prised from their grimy little fingers. Of course I'm waiting for someone to call my bluff, send me packing back to dirty diapers and the endless loop of making snacks and cleaning them up.

Maybe I take some kind of sick pleasure out of being a martyr. I will spend all my time with these kids if it kills us all, dammit. But nobody really likes a martyr, they're worshipped only after they're long dead. Living with one: not fun. And I am worth so much more to my family if I'm living, and happy to be doing so.

Maybe I like to think that I'm the only one who knows how to care for them properly, the only one they want. Charlotte has started sucking her thumb this past week, soothing herself to sleep on many occasions.  And each time she does, I am surprised, happy, devastated. Already, three months old, she doesn't need me for that one little moment. If all I am is a baby-soother, a milk-maker, a bum-wiper, then of course it feels uncomfortable to be something other.

So here I am, in the world of the living. In the world of adults with complicated beverage orders, with softly playing indie folk music floating on the cool air. And around me, others talk with friends, they do a Sudoku puzzle, they read the news on their laptop. I am incognito, taking care of myself. I pencil it into my calendar: "self-care, 10 am".  It's ridiculous and it's the only way. So if you're like me, and you find it almost impossible to take care of yourself: Do it. Find a way. Be uncomfortable the first 10 times you do it, and then slowly, like I hope to, I hope you'll feel better about it, too.

I'll write my book of poems, my collection of short stories, my novel, one stolen hour at a time.


Image via Flickr user Nina Nelson. Licensed under Creative Commons

A Mother's Writing Life

The Journey

By Mary Oliver

One day you finally knew

what you had to do, and began,

though the voices around you

kept shouting

their bad advice--

though the whole house

began to tremble

and you felt the old tug

at your ankles.

"Mend my life!"

each voice cried.

But you didn't stop.

You knew what you had to do,

though the wind pried

with its stiff fingers

at the very foundations,

though their melancholy

was terrible.

It was already late

enough, and a wild night,

and the road was full of fallen

branches and stones.

But little by little,

as you left their voices behind,

the stars began to burn

through the sheets of clouds,

and there was a new voice

which you slowly 

recognized as your own,

that kept you company

as you strode deeper and deeper

into the world,

determined to do

the only thing you could do--

determined to save

the only life you could save.

I recently came across Mary Oliver's poem "The Journey" for the first time. Reading it, and then re-reading it over and over, I felt like she'd peered into my life and written these words straight at me. It's the first time a piece of writing has spoken so directly to my soul.

I say this because it is only very recently, in a very intense time of life, surrounded by very small, very dependent people, and exhausted from 5 years' worth of broken sleep, that I have decided to take myself seriously as a writer.  I feel that purpose clearly and calmly.

I used to think being a writer meant producing best-selling, literary novels.  I thought it meant a brooding, solitary life. It was an idealized fantasy, and when my life didn't shape up like that, I shrugged, and with more than a little heartache, put the dream in the corner of a dark closet in my mind.  I spent years just living: fucking up, falling down, drinking and dancing, climbing mountains and being dirty. It felt chaotic, and now is even more chaotic: now looks the very least like the writing life I imagined.  But like she writes in her poem, one day I finally knew what I had to do.  And even though this looks like the worst possible time to begin, I can't do anything BUT begin.

I understand now that the writer's life is whatever life looks like, so long as there is reading and writing woven into the minutes and hours.

So I just fit it in: I write, bleary-eyed when I'm up at 5 with a gassy baby; I read while I eat breakfast, pausing to refill cereal bowls or butter another piece of toast; I write while little ones nap, pecking out words one-handed, the baby asleep across my lap; I read a few poems in the evening, lying in bed nursing, half-listening to the boys splashing in the tub as my husband gets them ready for bed. And in a few years, that much further down the road, I'll have the momentum built up to keep going.  I'll have even more time to give to my craft, my passion. I'll be so grateful to have made the start now.  Because it can be so easy to tell yourself that now isn't the time, so easy to put it off and put it off and put it off.  And then one day it's too late and you're left with nothing but regret, cold ashes sifting and falling through your fingers.

The second half of Oliver's poem feels especially true to me: her description of the stars beginning to shine through the clouds, of the inner voice becoming clearer, so perfectly mirrors how I feel about my own life right now. It feels so right, and so easy, and so essential, to be doing this, and doing it now.  To be, as she writes, saving the only life that I can.



Photo via Flickr user Craighton Miller. Licensed via Creative Commons

Morning Pages

The sky has just begun to lighten; the robins start to sing the sun over the horizon.  In bed beside me, Charlotte begins to fuss, as if on cue.  She kicks her chubby little legs, squirming on her back, her face scrunched up as she grunts and strains.  Her belly is tight: I try to massage it but I know my girl needs to get upright.  I swing my legs over the edge of the mattress and hoist us both up to standing.  Instantly, her body goes soft on my shoulder, her grunts quiet.  She burps forcefully as I sneak out of the room, skirting the squeaky floorboards so as not to disturb the boys.

Downstairs where it is cool and quiet, I sit on the couch, baby up on my shoulder or reclined on my propped up legs, and write.  Julia Cameron, in her book The Artist's Way, calls them morning pages.  Others might simply call it journaling. In these early hours of the morning, bleary eyed, I fill 3 pages of my journal with stream-of-conscious writing, my smooth black Sharpie pen pushing the words from my brain onto the page.

Sometimes I write out a vivid dream; sometimes I start by writing my intentions for the day; sometimes it jumps around, from the banal to deeper thoughts and back again.  And some days I get interrupted by a baby who won't settle or a little boy who woke up and couldn't find his mama.  Some days I don't make it to the couch at all, choosing precious sleep. On these days, morning pages may be noon pages, nap pages, whenever-I-get-20-minutes pages. Or they might not happen at all.

I've been writing morning pages, off-and-on, since my grade 13 year of highschool, when a creative writing teacher introduced them to us. I've gone long stretches without them.  They've guided me through emotional crises, they've helped to unlock my creativity.  They are like a talisman for me: on the days that I write them, I feel able to work on another piece of writing, to start a poem or a blog post.  I find that getting that blurt out helps more cohesive sentences to flow.  Those messy, disorganized first thoughts make way for thoughts more lyrical, more musical. During the stretches where I don't write them, don't journal at all, I am usually at my least creative.  I cease to think of myself as a writer.  Morning pages have become essential to the health of my muse, and by extension, the health of my soul.

How about you? Do you journal or write morning pages? What keeps your muse healthy?

Linking up with #WhatImWriting. Please go to Writing Bubble to visit the other participants!

Losing myself to Motherhood (and finding myself again)

It was never my intention to lose myself, 4 years ago, when I became a mother. With the first baby, it was easy to hold on to the little bits: lying on the couch, devouring books while he slept in my lap; bundling him into a pack and going for long hikes; writing while he played quietly at my feet. But once the first began to walk, and the second came along, I felt those little pieces of me slip away. I didn't read any more, not for myself. The second would sleep in my lap but the first would be wide awake and demanding some precious undivided attention. I couldn't go for long hikes anymore, because I could only carry one on my back, and the other had to stop and examine every rock, stick, and dog turd. And writing? I had forgotten that I once called myself a writer. I felt like I had to do everything for the toddler and the baby, like I was the only one capable. Too scared or stubborn or proud to ask for help, trying desperately to balance those babies plus a marriage plus a minimal share of the house work...I was asleep every night by 8, wedged uncomfortably between warm little bodies, trying to make myself small.

Tara was all but erased. I was desperately trying, and failing, to be "Mama", to love and embrace a role I'd never imagined myself in. I felt--still sometimes feel--like I had to love the job all of the time, and there was something wrong with me if I didn't. Like I had to produce 3 homemade, whole food meals a day, grow all of our vegetables, cloth diaper even though we had no running water, entertain and nurture my kids with arts and crafts, spend more time outside than in, limit screen time, socialize them...and then still find time for myself, for self-care, for yoga or meditation, for my friends, for basic hygiene.  I was deep in depression, holding myself to impossible standards, beating myself up and feeling like a failure. I was not sure at all who I was, who I used to be, who I was becoming.

I would disconnect on the internet, with social media, lost in blogs and other peoples' lives. I would, I still do, disconnect from my kids, my husband, myself. I guess I'm always searching for a common experience, someone else who has been through this dark place, and has left a detailed road map to lead me out. And of course that doesn't exist, not exactly, because the route is a little bit different for everyone, isn't it? My disconnecting would make things worse: I'd feel like even more of a failure for struggling where others were finding a way to balance "mother" and "self". The oldest would act out against the youngest in a last ditch effort to get some kind of attention from me. I would end up yelling, feeling guilty for yelling, spiralling deeper and deeper, further and further from myself.

And now, with a third baby imminent in our lives, I am finally trying to find myself again. Finally realizing that I'm doing no one any favours by letting my boys think I am nothing but "Mama", doing it all or not at all, often angry or sad or there only in body. I can't confidently answer the question: "who are you?" but I'm trying so hard to remember. To pick up a real book instead of endlessly refreshing my Facebook feed. To start my day writing morning pages while P gets the boys some breakfast. To blog, to write poetry, to let my mind run wild again. To let the boys see that I have other interests, and that while they are still a huge part of my world, they are not all of it, plus the sun and stars to boot. As I am about to become a mother of 3, I am also trying hard to become a whole person again, to become a priority in my own life again. To remember that I am a reader, a writer, a lover of hiking and bird watching and star gazing.

I must find myself for me, for them, and for this one not yet born.